Doreen Fletcher
@DFletcherArtist
Painter interested in pockets of life that we ignore every day; places that are still or have been inhabited. Shortlisted for the ES Contemporary Art Prize 2017
‘Lost in Spitalfields 2023’. colour pencil on paper. 11”x15”. 2 of 4 works in mixed Summer Show at Townhouse in Spitalfields. For more information please visit townhousespitalfields.com @thegentleauthor @ahistoryinart @GuildhallArt @BowArts
'Approaching Storm.' (1911) Lawren Harris's paintings of Toronto between 1909 to 1926 form a very important part of his body of work. The patchy light that plays over this building is poetic in character, helping to animate the scene and to guide our experience of the picture.
Pine Tree At Landeda Brittany: ink and watercolour 2025
Flattered ☺️
Another piece in progress with the original inspiration by @dbeattie22 💜 @GrimArtGroup
As an alternative to Cecil Osborne's painting of "Sunday Morning, Farringdon Road" here's "The Scullery" by Walter Steggles from 1927. Along with all our ranges of cards & prints it is available with 40% off all orders until 03/08/25 here: eastlondongroup.co.uk #SundayMorning
'View from the Window.' (c1950) Margaret Green was a painter of narrative landscapes and figure compositions of subtle strength and quiet lives; she remained largely unknown to a wider public - a story familiar to many women artists of her generation.
Good morning! This week's theme was London Rain 🌧 Take a look at the timeline over the last week for full details of these and the rest of the featured pieces.
This is your LAST CHANCE TO SAVE BRICK LANE! Sign the petition demanding HOMES not OFFICES on the Truman Brewery site before the council make their decision on Thursday 31st July: bit.ly/bricklanepetit…
Erygium, achillea and asters from Columbia Road Market this morning
Our 5-part investigative series on @WhitechapelLDN newspaper delves into fears that the Truman Brewery redevelopment will turbo-charge #gentrification of Brick Lane; who has the power to alter the fabric of the East End, and whether the community's interests are being protected.
'A Wet Walk', Kingston Bridge by Paul Cleden paulcleden.co.uk
It wasn't until the mid 1920s that Augustus John began painting flowers as an alternative to portraiture; this Begonia (1928) would have been grown in the garden at Fryern Court, John's home on the edge of the New Forest.
'Gourds.' (1978) William Brooker enjoyed a long and successful teaching career, and among his students was Howard Hodgkin who described his mentor as 'the only real teacher I ever had ... he made one feel that painting was a very important occupation.'
'The quay along the Thames in the rain, London' (1918) by Emile Claus (Private collection)
Figures in the city Covent Garden, London, 2024 Silver gelatin print #London #CoventGarden #streetphotography #people #women #figures #WestEnd #city #sidewalk #pavement #tourists #trippers #visitors #urban #urbanlandscape #bicycles #bikes #street #town #alley #doors #film #bnw
Luigi Lucioni received a fellowship to The Tiffany Foundation that enabled him to spend two months at Laurelton Hall in Oyster Bay, New York over the summer of 1924. He returned often; this work 'Verdant landscape, summer,' was painted two years later in July 1926.
"Summer afternoon". Algernon Newton. before 1968. Image: Christie's.
'The Aldwych, London.' (1955) Charles McCall's London is often made up of views from a corner of a city street - his paintings have a strong sense of colour and painterliness just like his mentor Samuel Peploe.