Reverse Shot
@reverse_shot
Reverse Shot is a publication of Museum of the Moving Image @MovingImageNYC, edited by Michael Koresky and Jeff Reichert. Twitter: Koresky
Great concept, exciting lineup, and terrific accompanying short essay by the always vital @davidpschwartz:
Wrote a piece for MoMA--@MoMAFilm (not to be confused with MoMI--@movingimagenyc, my long-time stomping grounds) about the series A Theater Near You, which kicks off on Thursday. moma.org/magazine/artic…
It's Spielberg weekend at MoMI! Tom Cruise sci-fi spectacles MINORITY REPORT and WAR OF THE WORLDS, both 35mm, and the marvelous musical WEST SIDE STORY in Dolby Atmos screen July 25–27! bit.ly/MoMIcalendar
As in Kiyoshi Kurosawa's PULSE, his new film CLOUD "imagines a nightmare scenario in which an aspect of technologically modulated human interaction—here, online harassment—breaches the borders of reality." Review by @FateSailor reverseshot.org/reviews/entry/…

Pleased to have the estimable @GuyLodge on Ari Aster's savage and brilliant doomscroll western EDDINGTON: reverseshot.org/reviews/entry/…

This weekend, July 18–20, catch Tom Cruise in two of his greatest roles, both from the stellar year of 1999: Kubrick's EYES WIDE SHUT and PT Anderson's MAGNOLIA, both in 35mm! movingimage.org/tom-cruise-abo…
Embeth Davidtz's DON'T LET'S GO TO THE DOGS TONIGHT is a passion project of the best kind, featuring a "disarmingly direct, uninhibited performance" from Lexi Venter that "elevates her in the cinematic pantheon of child actors." Review from Gavin Smith: reverseshot.org/reviews/entry/…

THE FIRM, John Grisham’s novel about a young lawyer (Tom Cruise) embroiled in the criminal machinations of a Memphis law firm, gets a riveting cinematic treatment from Sydney Pollack. With Gene Hackman & Jeanne Tripplehorn. See it in 35mm Sunday, 7/13! movingimage.org/event/the-firm/
Jem Cohen’s film LITTLE, BIG, AND FAR opens today @IFCCenter. Read my review for @reverse_shot: reverseshot.org/reviews/entry/…
This week’s Film Highlight: see a towering Tom Cruise in Oliver Stone’s BORN ON THE FOURTH OF JULY, screening today and Sunday, July 5 & 6. mailchi.mp/movingimage/fi…
"He has a serial killer’s charm, as depthless as a saloon façade on Spahn ranch, but at the movies submitting to Cruise’s smile is just one more delirious suspension of disbelief." @patrickdahlyes with a virtuosic summary of the tao Tom Cruise screenslate.com/articles/tom-c…
Great conversation!
chatted with michael koresky (@reverse_shot) about his excellent new book SICK AND DIRTY over @DefectorMedia: defector.com/two-steps-forw…
How delightful to be asked to write an essay that combines my two loves: movies and piano. 32 Short Films About Glenn Gould is still as marvelous as ever.
One of the defining independent films of its era, François Girard’s provocatively splintered portrait of the great pianist toys with the mythologization of its subject. Read Michael Koresky (@reverse_shot) on THIRTY TWO SHORT FILMS ABOUT GLENN GOULD: criterion.com/current/posts/…
In a new essay, two of our critics look past the meme-ification of Tom Cruise and glance back at his craft as an actor. The screening series Tom Cruise, Above and Beyond, is currently running @MovingImageNYC. Read essay now: reverseshot.org/features/3339/…




Rather than moral judgments on bullfighting as a tradition, "Albert Serra instead investigates the perceptual, bodily specifics through which such a practice is both produced and sustained." @lawrencengarcia reviews AFTERNOONS OF SOLITUDE: reverseshot.org/reviews/entry/…

I wrote about this one once years ago for a @reverse_shot series, and it has quietly become one of my favorite Mikio Naruse films reverseshot.org/series/entry/2…
Mikio Naruse on the set of LATE CHRYSANTHEMUMS (1954) with Haruko Sugimura and Yuko Mochizuki.
Sarah Friedland's FAMILIAR TOUCH opens today. According to critic Sarah Fensom, Friedland’s debut narrative feature about an octogenarian woman entering a full-time memory care facility, "exists along the edges of the coming-of-age film." reverseshot.org/reviews/entry/…

from me on Reverse Shot: a review of Wanderstop by @HelloCakebread, a take on cozy games from one of the medium's greatest creative minds reverseshot.org/features/3335/…
35mm. Technicolor. Cinemascope. The print of Vincente Minnelli's TEA AND SYMPATHY is in the house. See it this Sunday, June 22, followed by a book talk and signing! movingimage.org/event/tea-and-…

It will be my great, gay pleasure to chat with the inimitable @MelissEAnderson following a screening of the unbelievable SUDDENLY LAST SUMMER at @IFCCenter on Monday. Don't miss. ifccenter.com/films/suddenly…

Join me for a special 35mm screening of Vincente Minnelli's wondrous Technicolor melodrama TEA AND SYMPATHY @MovingImageNYC on June 22, followed by a discussion and signing of my new book SICK AND DIRTY. Get tickets now! movingimage.org/event/tea-and-…
