patrick.
@imPatrickT
please excuse me i need to return some 4K UHD discs | .mov & .jpeg |
i cut together the best egg scenes in movies
the replies when you share an opinion about a comic book movie.
there's a dairy queen nearby that's never renovated and every time i walk in i feel like i'm visiting a millennial cultural heritage site
a SUPERMAN movie should be a fairly even balance of these two feelings.
definitely kicking the hornets' nest here, but now that we've got such a wonderful direct comparison, I'm absolutely gobsmacked that *this* was what Superman looked, sounded, and acted like onscreen as recently as 2016. truly miserable stuff!
the CEO of Hollywood seeing everyone love the new DCU and MCU movies
open gate is the modern open matte. instead of locking into 16:9, open gate captures the entire 3:2 digital sensor area - that means when you’re editing you can flexibly crop for multiple aspect ratios. it's especially great for vertical videos.
Cinematography by Jeff Cronenweth… score by NIN… Jared Leto… if you squint hard enough, you can pretend this is what Fincher might’ve made if he never discovered Netflix.
while we’re at it let me pre-order Ludwig’s score, the 4K disc, and the wooden ship popcorn bucket.
we’re gonna have to pre-order tickets for Avengers: Doomsday before they even finish the script.
watching the AMC site crash on Thursday when THE ODYSSEY IMAX tickets go on sale
What I love about the cinematography in SUPERMAN and 28 YEARS LATER is that they both look NEW. Maybe some of it feels wrong for a moment, but only because your brain has no reference for it. Familiar is boring. This is punk as hell.
