Simon Owens
@simonowens
Tech and media journalist. Email me: [email protected]. Full bio in link below.
YouTube's food content is not only used by millions of home cooks, but it's also training the next generation of professional chefs. bloomberg.com/news/articles/…
a way to identify the highest quality content published by Medium’s writers and get it in front of the platform’s users, and the only way to do that, in his view, was to insert more humans into the curation process. by @simonowens open.substack.com/pub/simonowens…
Want some good weekend reading? I compiled the best longform journalism I consumed this week. I guarantee you there's something on this list you'll enjoy. thelongstory.substack.com/p/the-best-lon…
This is hard to read. No other organization devotes as many resources as Media Matters to monitoring the vast right wing media ecosystem that gave rise to the MAGA movement, and yet it's on the brink of shutting down. nytimes.com/2025/07/25/us/…
McDonald's used to be considered recession proof, since it could offer cheap meals to cash-strapped families, but in recent years inflation has cut into its ability to offer discount products like the dollar menu. wsj.com/business/mcdon…
When Ev Williams stepped down from the role of CEO of Medium in 2022, the company was losing $2.6 million a month and experiencing a net decrease in paid subscribers. simonowens.substack.com/p/how-medium-f…
The Free Press is increasingly becoming an odd fit within Substack's ecosystem. Not only does it have its own custom website design -- that looks far different from every other Substack publication -- but now it has its own separate app. pugpig.com/2025/07/21/the…
This is a pretty interesting deep dive into why newspapers owned by Advance Local punch far above their weight in terms of online traffic. The company kind of floats below the radar despite owning a lot of newspapers because it's privately held. niemanlab.org/2025/07/how-di…
Newsweek has degraded its brand with clickbait content to such a degree that it's pretty laughable that it thinks it can generate meaningful subscription revenue. digiday.com/media/to-beat-…
A few decades from now, we may look at GLP 1 drugs in the same way we view the discovery of antibiotics or the development of modern day vaccines -- as an innovation that changed the course of humanity for the better. derekthompson.org/p/why-does-it-…
One of the most popular podcasters got his start interviewing military veterans about their trauma, but he's recently branched out into all sorts of conspiratorial obsessions, including UFOs. motherjones.com/politics/2025/…
If an independent podcaster with no media conglomerate backing him can generate $20 million a year, then I'm pretty sure Paramount could plug the $40 million hole and get Stephen Colbert's late night show profitable. nytimes.com/2025/07/22/bus…
I'm having flashbacks to 2011 when AOL lit $300 million on fire by buying the Huffington Post. ft.com/content/0f1ce3…
Colbert’s show has generated over 10 billion views on YouTube and billions more on platforms like TikTok and Instagram. The reason Paramount is losing $40 million a year on his show has everything to do with it not effectively monetizing these channels.
I think this guy deserves a lot of credit for pioneering how legacy news outlets can operate on TikTok. nytimes.com/2025/07/22/bus…
It's kind of strange that the website that most resembles the old school internet forums has become one of the biggest platform success stories in the last few years. nymag.com/intelligencer/…
While so much of the AI-generated video we see on the internet can be dismissed as "slop," there's a growing group of filmmakers attempting to leverage the technology to produce something closer to real art. nytimes.com/2025/07/18/tec…
For most of his 20s and 30s, Pedro Pascal struggled to get by with bit parts in TV shows and films, and it wasn't until his 40s when he started to land the meaty roles that transformed him into a star. vanityfair.com/hollywood/stor…
Elon Musk may go down as one of the dumbest leaders in business history. bloomberg.com/news/features/…
Maybe I'm naïve, but I actually think screenwriters are the last people in Hollywood who should be worried about AI. It's much more likely to impact the production side of a TV show or film than the actual script itself. latimes.com/entertainment-…