mano
@manobells
@pitchfork @nobellsblog
wrote about the new Tyler Childers for @pitchfork #hillbillyhinduism 🫡 pitchfork.com/reviews/albums…
talked to @WhoIsLelo about Evangelion, going to art school, and his debut album New Detroit @thefader thefader.com/2025/07/24/lel…
Reviewed this rly excellent album from Cleo Reed, one of my favorites on the year. It’s all about finding ways to survive in a country you never asked to belong to pitchfork.com/reviews/albums…
wrote about anycia's pretty decent gangsta grillz mixtape pitchfork.com/reviews/albums…
It's the @mountain_goats on Ozzy, an expert and of course strikingly personal essay pitchfork.com/features/ozzy-…
featuring maybe the most rabbit holed coded passage ever
for my 20th Rabbit Holed, here's the most rabbit hole of them all: I interviewed Music Place, the bonkers archivist fighting against the sterility of music rec hubs today, creating a cursed but beautiful "breadcrumb trail" across scenes and languages pitchfork.com/thepitch/meet-…
Was sent the Che album advance on an iPod Shuffle. Having to sit with this incredibly busy and active music with limited info was both frustrating and cathartic. My favorite rap release of the year, so far pitchfork.com/reviews/albums…
1 year at pitchfork today. grateful that I get to work with such brilliant lovely people on big and small ideas that expand how music journalism looks. grateful for all the thoughtful music convos and that my job is sometimes interviewing tommy wright iii👍🏾
i'm biased but i think kieran is doing some of the most vital music and AI reporting in his column rn
for my new column, here's a deep look into how AI has turned the Japanese genre city pop into a Möbius strip of city slop, with hourslong robo-mixes and imaginary women thumbnails—featuring the prompt secrets of AI producers and the fears of longtime fans pitchfork.com/thepitch/the-b…