hye lynn park
@lynnimation
✝️ follower of Christ | ✍️ story artist who loves story | ✉️ [email protected]
Spotted unofficial #KpopDemonHunters merch…🐯✨ I also made this pocket mirror at a place called Huihi Studio in Mapo-gu, Seoul, Korea hehe 오늘 망원에서 #케데헌 언오피셜 호랑이 굿즈 발견 🐯✨ 희히스튜디오라는 곳에서 자개로 손거울도 만들었는데 예쁘게 나와서 대만족ㅎㅎ
The first sequence I worked on for #KpopDemonHunters! It didn’t make it into the final cut but there were a lot of fun elements I enjoyed exploring. #케이팝데몬헌터스 에서 첫 작업한 시퀀스입니다. 파이널컷에 다 들어가진못했지만 재밌는 요소들이 많아서 즐겁게 작업했습니다💞 #케데헌
BIG AI BILL (AB-2013) PENDING before the Governor Newsom! This bill would require AI companies to disclose their datasets. Simple write-in instructions and a sample letter here: tiny.cc/SUPPORT_AB2013 Please take 5 minutes to help!!
Art director Nobutaka Ike breaks down the hyper-detailed visual design of Tokyo Godfathers (2003), dir. Satoshi Kon, Madhouse
A very technical article (in japanese) about the production of "The Boy & The Heron", and certain aspects like HDR, texturing 2D elements, etc. With Atsushi Okui (Studio Ghibli), Shun Iwasawa (Studio Ponoc) and Yoichi Senzui (OpenToonz). cgworld.jp/article/202405…
Preview of "Studio Ghibli Composite and Effect Works" japanese book, about the work of Atsushi Okui, in charge of Ghibli's photography department since 1993. Featuring comments from Hayao Miyazaki, Katsuhiro Otomo, Yoshiyuki Tomino, among others. >> amzn.to/45HAIeT
Satoshi Kon's storyboards for the mima chase scene in Perfect Blue This is how he boarded the whole film exactly this way and it makes seem like he did key animation for a lot of scenes. a true master at storyboarding
A sneak preview of some of the new themes from our upcoming Season 3 of Only Murders in the Building, performed beautifully by our resident pianist, Carol Kuswanto. This may be our best season yet! @OnlyMurdersHulu @carolkuswanto
Here's a (recreated) diagram of how the 2D elements are set up in one of my Maya scenes for my Hobie shots! Normally, you would do this in post with compositing software, but since we needed to have all the animation represented for approval in playblast, this is what we did...
across the spider-verse concept art/bts content (🧵)
How different focal lengths can change the look of a face
In 2011, Pixar employee Emma Coats shared its “22 Rules of Storytelling.” They’re a masterclass in story, psychology, and human connection. Here are 10 gems:
Storyboard Resources docs.google.com/spreadsheets/d… #storyartist #storyboarding #animation ...1/8
ok here's a thread full of ofmd behind the scenes incase some of y'all might need it