J
@iamjstevenson
Building the future of sound here → @whetstoneent
Jim Legxacy might have dropped the project of the year. An incredible young artist who is having a well deserved moment. Tap in.
The economic efficiency of entities responsible for paying out rights holders will skyrocket. The question is: Will that money flow back to creatives? We all should be watching backend disruption closely. AI may not change what you create first but it will change how you get…
This is your shortcut to the next 5 years of AI in the music business. We explore: – Models vs copyright laws – Royalty audits in real time – Agents doing A&R, Mastering & Metadata – What labels & publishers must do to adapt untitled.stream/library/projec…
The music industry has a $2 billion data matching problem that I aim to fix.
Just realized I'm well on my way to spending $1000+ on tickets and food (We do the dine in theatre around the corner from my place) this year.
Movies I've seen at the Theatre this year, so far: Superman - 8/10 28 Years Later - 3/10 F1 - 9.5/10 Mission Impossible: The Final Reckoning - 7/10 Thunderbolts - 6.5/10 The Accountant 2 - 7/10 Sinners - 9.5/10 One Of Them Days - 2/10 Babygirl - 3/10
"AI agents are competitive intelligence that never sleeps. They're extending human awareness beyond the limits of time and attention."
To that point, the amount of early stage music tech thats getting funded right now is really encouraging. I've spotted some mile wide gaps where nobody's building yet.
Having clients contribute to another #1 album will never get old.
Congrats to clients @notblakesale and @WhoisBeam on their recent cuts. See more at whetstoneent.com
We have unprecedented ability to build, connect, and scale products that past generations could only dream of. What a time to be alive.
Youtube premium is absolutely worth it if only for the ad free experience. One of the few subscriptions I genuinely couldn't live without.