RamonPang
@RamonPang
◉ Co-head of @tabularasarcrds. ◎ First documented use of "IDM" on Forbes. ◉ DJ + producer of oddities. ◎ Experimental music is for everyone. ◉ he/him. ◎ 🇵🇭.
*-✓ BRAND BLVD -*~*-*-~✓ first RamonPang single of the year! ~*-✓~*-✓ out tonight! -*/✓ new EP otw!
to get real - i'm fully aware that people are turned off by my brash, talkative personality, esp w the hyperfixation on IDM and dance music. but it's important for me to talk this much - i found so many artists 'inaccessible' community/social-wise and wished we had more voices.
it's a hassle to update the discography of the electronic musician Four Tet because sometimes his titles set off the spam filter like crazy
a video on @Koreless modern hyper classical, physical club epic debut, "Agor" (2021)
who says electronic music can't be political? a video on Drexciya, and how their aquatic detroit electro mythos is inspiring real world changes
mfw the le epic narwhal bacons at midnight amirite???? 🥰🥰🥰 end me
HOlY SHILT! The Epic Bacon at Tesla Diner looks amazing!
video on Brian Eno's simple trick to finishing music: giving up control
i don't know if anyone else has experienced this, but do you ever play/hear a track on a big system, and you feel like it's slower than it actually is? like the CDJ is reading it at 140 bpm but it feels slower? I've experienced this both in the booth and in the crowd
Burial wrote Untrue when he was 10 years old. Skrillex was only 8 when he invented dubstep. Sophie was 5 when she was signed to PC music Autechre were both born in 2017
DJ Shadow made 'Entroducing..' at 24 years old Aphex Twin made SAW 85-92 at 21 years old Flume made his self-titled at 23 years old Skee Mask made Compro at 25 years old